Testing the IRIX 150mm T3.0 Macro 1:1 Cine Lens (Full Frame Sensor) @irixusa on the RED
@reddigitalcinema Ranger Helium. The clips above were all shot in Macro in 8k at ISO:1600
T3.0-T8.0 and between 24fps-60fps. With the IRIX 11 blades this lens produces a smooth
Testing Tiffen’s Bronze Glimmer Glass Filters @tiffencompanywith a
RED Ranger Helium.
CAMERA RRH: 8K ISO:1600 60fps
LENS: Lecia Summicron-R 50mm f/4
TOP: No Filter
MIDDLE: Bronze Glimmer Glass 1/4 Filter
BOTTOM: Bronze Glimmer Glass 1 Filter
The RED Ranger Helium @reddigitalcinema using the DXL2 LUT
that is in use with the PANAVISION DXL2 Camera. Delivering a rich
cinematic look right out of the gate.
at DMX 701 as my main light source. Shot on a 50mm XEEN @xeenglobal
@rokinon at T2.0 in 8K at ISO:1600, 5000K at 60fps.
Starting to test various frame rates on @reddigitalcinemaRanger Helium.
MIXBOOK (Digital Swatchbook) as my main light source.
TOP: 8K ISO:1600 FPS:23.97 T2.8
MIDDLE: 8K ISO:1600 FPS:60 T2.0
BOTTOM: 4K. ISO:1600 FPS:23.97 T2.8
The clips above were shot on the RED Epic Dragon @reddigitalcinema
with end results of very clean blacks.
TOP: 4K 120fps ISO:320
MIDDLE: 4K 96fps ISO:800
BOTTOM: 4K 96fps ISO:320
Shot on the RED Epic Dragon REDCODE @reddigitalcinema in Varispeed at 96fps
The clips above are RAW and were shot on the RED Epic Dragon @reddigitalcinema
Shot with Tokina Cinema Primes @tokinacinemausa on the
RED Epic Dragon in 4K @reddigitalcinema
TOP: 85mm ISO:500 4300K
MIDDLE: 25mm ISO:500 4300K
BOTTOM 105mm ISO:500 4300K
The above scene was shot on the RED Epic Dragon in 4K @reddigitalcinema
with the 18mm T1.5 Tokina Vista Prime @tokinacinemausaon the Dana Dolly
The scene above was shot using the Tokina Vista Primes and Zooms @tokinacinemausa
on the RED Epic Dragon in 4K @reddigitalcinemaand colored in DaVinci Resolve
In fact it’s the same shot just cropped in. I think any cinematographer as well myself will
tell you never to crop your frame to create two shots! I just did it here to give you an example
how clean the image is cropped. The MIDDLE frame was shot on the 35mm T1.5 Tokina Vista Prime.
I absolutely love shooting on this glass!
The clip above was shot on the RED Epic Dragon in 4K @reddigitalcinema with a 18mm